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Evoking Castalia as Envisaged, Entoned and Embodied


Citations of non-Kairos documents (References)

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Abdul-Raof, Hussein.  Arabic Rhetoric: a pragmatic analysis. Routledge, 2006.

Adams, Stephen.  Poetic Designs: an introduction to meters, verse forms and figures of speech. Broadview Press, 1997.

Sylvia Adamson, Gavin Alexander and Katrin Ettenhuber. Renaissance Figures of Speech. Cambridge University Press, 2007

Allanbrook, Wye Jamison.  Rhythmic Gesture in Mozart: Le nozze di Figaro and Don Giovanni. University of Chicago Press, 1983.

Bartel, Dietrich.  Musica poetics: musical-rhetorical figures in German baroque music. University of Nebraska Press, 1997.

Bateson, Gregory.  Mind and Nature; a necessary unity. Dutton, 1979.

Bateson, Mary Catherine.  Our Own Metaphor: a personal account of a conference on the effects of conscious purpose on human adaptation. Knopf, 1972.

Baum, Harold.  Biochemists Songbook. CRC Press, 1995.

Beer, Stafford.  Beyond Dispute: the invention of team syntegrity. John Wiley, 1994.

Beer, Stafford.  Platform for Change. John Wiley, 1978.

Benitez, Vincent.  Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. Bach, 18, 1987, pp. 3-21.

Bonaparte, Felicia.  The Poetics of Poesis: the making of nineteenth-century English fiction. University of Virginia Press, 2016.

Bonds, Mark Evan.  Absolute Music: the history of an idea. Oxford University Press, 2014.

Bonds, Mark Evan.  Wordless Rhetoric: musical form and the metaphor of the oration. Harvard University Press, 1991..

Botkin, James W. / Elmandjra, Mahdi / Malitza, Mircea.  No Limits to Learning; bridging the human gap. Pergamon, 1979.

Bruhn, Siglind.  The Musical Order of the World: Kepler, Hesse, Hindemith. Pendragon Press, 2005.

Bruhn, Siglind.  Musical Ekphrasis: composers responding to poetry and painting. Pendragon Press, 2000.

Burmeister, Joachim.  Hypomnematum musicae poeticae. S. Myliander, 1599..

Burmeister, Joachim.  Musica autoschediastike. C. Reusner, 1601..

Burmeister, Joachim.  Musica poetica. S. Myliander, 1606. [B. [Bärenreiter, 1955]

Burmeister, Joachim.  Musical Poetics. Yale University Press, 1993.

Burton, Gideon O.  Silva rhetoricae. Brigham Young University. 1996-2003.

Carse, James P.  Finite and Infinite Games: a vision of life as play and possibility. Ballantine Books, 1987.

Chatwin, Bruce.  The Songlines. Harmondsworth, Penguin Books, 1988.

Cohen, Ralph Alan.  Shakesfear and How to Cure It: a handbook for teaching Shakespeare. Prestwich House, 2007.

Cook, Norman D.  Tone of Voice and Mind: the connections between intonation, emotion, cognition and consciousness. John Benjamins, 2002.

Davis, Philip J. / Hersh, Reuben.  The Mathematical Experience. Birkhäuser, 1995. [review]

de Bono, Edward.  New Thinking for the New Millennium. Penguin, 2000.

De Brabandere, Luc / Iny, Alan.  Thinking in New Boxes: a new paradigm for business creativity. Random House, 2013.

de Guinzbourg, V. S. M.  Wit and Wisdom of the United Nations. United Nations, 1961.

De Nicolas, Antonio T.  Meditations through the Rg Veda. Shambhala, 1978.

Dervin, Daniel.  Creativity and Culture: a psychoanalytic study of the creative process in the arts, sciences and culture. Fairleigh Dickinson University Press, 1990. [summary]

Diaconis, Persi / Graham, Ron.  Magical Mathematics: the mathematical ideas that animate great magic tricks. Princeton University Press, 2012.

Donnelly, K. J. / Hayward, Philip  (Eds.).    Music in Science Fiction Television: tuned to the future. Routledge, 2012. [review]

Dorronsoro, Joanito.  Bertso Doinutegia. Elkar, 1995. [summary]

Mikel Dufrenne The Phenomenology of Aesthetic Experience. Northwestern University Press, 1973

Elias, Ann.  Useless Beauty: flowers and Australian art. Cambridge Scholars Publishing, 2015. [contents]

Engelbart, Douglas C.  Augmenting Human Intellect: a conceptual approach. Stanford Research Institure, 1962. [text]

Fakhreddin, Huda J.  Defining Metapoesis in the Abbasid Age. Journal of Arabic Literature, 42, 2011, pp. 205-235. [text]

Foley, John Miles.  Basque Oral Poetry Championship. Oral Tradition, 22, 2008, 2, pp. 3-11. [text]

Godwin, Joscelyn.  The Harmony of the Spheres: the Pythagorean tradition in music. Inner Traditions/Bear, 1992.

Garmendia, J. Garzia.  History of Improvised Bertsolaritza: a proposal. Oral Tradition, 22, 2007, 2, pp. 77-115. [text]

Garzia, Joxerra / Sarasua, Jon / Ergaña, Andoni.  The Art of Bertsolaritza: improvised basque verse singing. Bertsozale Elkartea, 2001.

Graves, Robert.  Seven Days in New Crete. Cassell, 1949. [summary]

Guo, Zhang Xiu.  English Rhetoric. Tsinghua University Press, 1991.

Gurlitt, Willibald.  Music und Rhetorik: Hinweise auf ihre geschichtliche Grundlageneinheit. Helicon, V, 1943 (1944), pp. 67-86.

Harran, Don.  Toward a Rhetorical Code of Early Music Performance. The Journal of Musicology, 15, 1997, 1, pp. 19-42.

Heelan, Patrick A.  The Logic of Changing Classificatory Frameworks. In: J A Wojciechowski (Ed.). Conceptual Basis of the Classification of Knowledge. K G Saur, 1974, pp. 260-274.

Hofstadter, Douglas.  Gödel, Escher, Bach: an Eternal Golden Braid: a metaphorical fugue on minds and machines in the spirit of Lewis Carroll. Basic Books, 1979. [summary]

Hofstadter, Douglas.  I Am a Strange Loop. Basic Books, 2007. [summary]

Hofstadter, Douglas / Sander, Emmanuel.  Surfaces and Essences: analogy as the fuel and fire of thinking. Basic Books, 2013.

Irvine, William B.  Aha: the moments of insight that shape our world. Oxford University Press, 2015.

Klapp, Orrin E.  Opening and Closing: strategies of information adaptation in society. Cambridge University Press, 1978.

Klapp, Orrin E.  Overload and Boredom: essays on the quality of life in the information society. Praeger, 1986.

Klose, Alexander.  The Container Principle: how a box changes the way we think. MIT Press, 2009.

Laing, Ronald D. / Knots,.  Vintage Press, 1972.

Lakoff, George / Núñez, Rafael E.  Where Mathematics Comes From: how the embodied mind brings mathematics into being. Basic Books, 2000. [summary]

Lakoff, George / Johnson, Mark.  Philosophy In The Flesh: the embodied mind and its challenge to western thought. Basic Books, 1999.

Lawson, Hilary.  Closure: a story of everything. Routledge, 2001.

Lawson, Hilary.  Reflexivity: the post-modern predicament. HarperCollins, 1985.

Lewis, Bernard.  What Went Wrong?.: Western Impact and Middle Eastern Response. Oxford University Press, 2002.

Markov, Sergey.  Theories of Creativity. Geniuses, 23 May 2012. [text]

McEntyre, Marilyn.  Caring for Words in a Culture of Lies. Eerdmans, 2009.

McClain, Ernest G.  The Myth of Invariance: the origins of the gods, mathematics and music from the Rg Veda to Plato. Shambhala, 1976.

McClain, Ernest G.  Pythagorean Paper Folding: a sudy in tuning and temperament. The Mathematics Teacher, 63, 1970, pp. 233-237..

Mushakoji, Kinhide.  Global Issues and Interparadigmatic Dialogue: essays on multipolar politics. Meynier, 1988.

Mushakoji, Kinhide.  Scientific Revolution and Interparadigmatic Dialogues. 1979. [text]

Passmore, John.  The Perfectibility of Man. Liberty Fund, 1969. [text]

Peacham, Henry.  The Garden of Eloquence [of 1577]. Menston, 1971.

Peacham, Henry.  The Compleat Gentleman [of 1627]. Michigan, 1990.

Sheila Petty, Garry Sherbert and Annie Gérin Wilfrid (Eds.). Canadian Cultural Poesis: essays on Canadian culture. Laurier University Press, 2006

Pilkington, Paul.  The Glass Bead Game: A Basic Form of Play, Genealogy, and Examples. Abine Publications, 2011.

Pilkington, Paul.  The Glass Bead Game: Mercury and Hazel. Abine Publications, 2011.

Pilkington, Paul.  The Glass Bead Game: Wardancing. Abine Publications, 2011.

Pogue, Kate Emery.  Shakespeare's Education: how Shakespeare learned to write. PublishAmerica, 2012.

Poliner, Graham E. / Ellis, Daniel P. W.  A Classification Approach to Melody Transcription. 2005. [text]

Popper, Karl.  The Open Society and Its Enemies. Routledge, 1945.

Preminger, Alex  (Ed.).    Princeton Encyclopedia of Poetry and Poetics. Princeton University Press, 1974.

Randers, Jørgen.  2052: A Global Forecast for the Next Forty Years. Chelsea Green, 2012.

Ranicki, Andrew.  High-dimensional Knot Theory. Springer, 1998.

Ranum, Patricia M.  The Harmonic Orator: the phrasing and rhetoric of the melody in French Baroque airs. Pendragon Press, 2001.

Raymond, Eric S.  The Cathedral and the Bazaar: musings on Linux and Open Source by an accidental revolutionary. O'Reilly Media, 1999.

Rescher, Nicholas.  Aporetics: rational deliberation in the face of inconsistency. University of Pittsburgh Press, 2009.

Rescher, Nicholas.  Unknowability: an inquiry into the limits of knowledge. Lexington Books, 2009.

Rescher, Nicholas.  Paradoxes: their roots, range, and resolution. Open Court, 2001.

Rescher, Nicholas.  The Strife of Systems: an essay on the grounds and implications of philosophical diversity. University of Pittsburgh Press, 1985.

Roberts, Peter.  Conscientisation in Castalia: a Freirean reading of Hermann Hesse's The Glass Bead Game. Studies in Philosophy and Education, 26, 2007, 6, pp. 509-523 [abstract]..

Roberts, Peter.  The Dream of a Journey to the East: mystery, ritual and education in Hermann Hesse's penultimate novel. Paideusis: Journal of the Canadian Philosophy of Education Society 17, 2008, pp. 45-58. [abstract]

Roberts, Peter / Peters, Michael A.  From Castalia to Wikipedia: openness and closure in knowledge communities. E-Learning and Digital Media, 8, 2011, 1. [text]

Sarasua, Jon.  Social Features of Bertsolaritza. Oral Tradition, 22, 2007, 2, pp. 33-46. [text]

Sells, Michael A.  Mystical Languages of Unsaying. University of Chicago Press, 1994.

Sheets-Johnstone, Maxine.  Movement and Mirror Neurons: a challenging and choice conversation. Phenomenology and the Cognitive Sciences, 11, 2012, 3, pp. 385-401. [abstract]

Sheets-Johnstone, Maxine.  The Primacy of Movement. John Benjamins, 2011.

Sheets-Johnstone, Maxine.  Kinesthetic experience: understanding movement inside and out. Body, Movement and Dance in Psychotherapy, 5, 2010, 2, pp. 111-127. [text]

Sheets-Johnstone, Maxine.  The Corporeal Turn: an interdisciplinary reader. Imprint Academic, 2009.

Skolimowski, Henryk.  The Participatory Mind: a new theory of knowledge and of the universe. Penguin/Arkana, 1994.

Sloterdijk, Peter.  Bubbles: Spheres Volume I: Microspherology. Semiotext(e), 2011..

Sloterdijk, Peter.  Globes: Spheres Volume II: Macrospherology. Semiotext(e), 2014.

Sloterdijk, Peter.  Foams: Spheres Volume III: Plural Spherology. Semiotext(e), 2016. [review]

Smaill, Anna.  The Chimes. Quercus, 2016. [reviews]

Snow, C. P.  The Two Cultures. Cambridge University Press, 1959.

Sonnino, Lee A.  A Handbook to Sixteenth-Century Rhetoric. Routledge and Kegan Paul, 1968.

Stambaugh, Joan.  Music as a Temporal Form. The Journal of Philosophy, 61, 1964, 9, pp. 265-280.

Stambaugh, Joan.  The Real is Not the Rational. State University of New York Press, 1986.

Tarling, Judy.  The Weapons of Rhetoric: a guide for musicians and audiences. Corda Music, 2004. [contents]

Thom, René.  Structural Stability and Morphogenesis: an outline of a general theory of models. Benjamin, 1972.

Thom, René.  Morphogenèse et imaginaire. Méthodologie de l'imaginaire, 8-9, 1978.

Thom, René.  Esquisse d'une Sémiophysique: physique aristotélicienne et théorie des catastrophes. Interéditions, 1989.

Thom, René.  Apologie du logos. Hachette, 1990.

Tzonis, Alexander / Lefaivre, Liane.  Classical Architecture: the poetics of order. MIT Press, 1986. [review]

Tymoczko, Dmitri.  The Geometry of Musical Chords. Science, 313, 5783, 7 July 2006, pp. 72-74. [text]

Tymoczko, Dmitri.  A Geometry of Music: harmony and counterpoint in the extended common practice. Oxford University Press, 2011.

Vickers, Brian.  In Defence of Rhetoric. Oxford University Press, 1988.

Voet, Caroline.  The Poetics of Order: Dom Hans van der Laan's architectonic space. Architectural Research Quarterly, 16, 2012. 2 pp. 137-154 [t. [text]

Wachtel, Michael.  The Cambridge Introduction to Russian Poetry. Cambridge University Press, 2004.

Walker, D. P.  Spiritual and Demonic Magic from Ficino to Campanella. Pennsylvania State University Press, 2000.

Williams, P.  The Snares and Delusions of Musical Rhetoric: some examples from recent writings on J. S. Bach. In: P. Reidemeister and V. Gutman (Eds.)., Alte Musik: Praxis und Reflexion, Amadeus, 1983, pp. 230-240.

Winn, James Anderson.  Unsuspected Eloquence: a history of the relations between poetry and music. Yale University Press, 1981.

Yates, Frances A.  The Art of Memory. Routledge and Kegan Paul, 1966. [summary]

Yolles, Maurice I.  Knowledge Cybernetics: a metaphor for post-normal science, 2006. [text]

Yolles, Maurice I.  Knowledge cybernetics: a new metaphor for social collectives. Journal of Organisational Transformation and Social Change, 3, 2006, 1.

Yolles, Maurice I.  A General Theory of Generic Modelling and Paradigm Shift: cybernetic orders Kybernetes, 44, 2015. [abstract]

Yue, Yun.  Rhetoric: A Tale of Two Cultures. The International Journal of Language Society and Culture, 28, 2009. [text]

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