Improvisation in Multivocal Poetic Discourse
(Non-Kairos references)
[Parts: First | All] [Links: To-K | From-K | From-Kx ]
Ernest Adams. Fundamentals of Game Design. New Riders, 2013
The Nature of Order: an essay on the art of building and the nature of the universe. Center for Environmental Structure, 2003-4. [summary]
New Concepts in Complexity Theory: an overview of the four books of the Nature of Order with emphasis on the scientific problems which are raised. 2003 [text]
A Pattern Language. Oxford University Press, 1977 [summary]
Harmony-Seeking Computations: a science of non-classical dynamics based on the progressive evolution of the larger whole. International Journal for Unconventional Computing (IJUC), 5, 2009 [text]
Michael W. Austin (Ed.). Football and Philosophy: going deep. University Press of Kentucky, 2009
Harold Baum. Biochemists' Song Book. Taylor and Francis, 1995 [review]
Kenneth Bausch (Ed.). With Reason and Vision: structural dialogic design. Ongoing Emergence Press, 2015
Stafford Beer. Beyond Dispute: the invention of team syntegrity. Wiley, 1994
Eric Berne. Games People Play. Grove Press, 1964 [summary]
Anthony Blake. The Supreme Art of Dialogue: structures of meaning. Duversity Publications, 2008 [contents]
David Bohm. On Dialogue. Routledge, 2004
Eric Bronson (Ed.). Baseball and Philosophy: thinking outside the batter's box. Open Court, 2004
/ Bruce Ellis Benson: The Improvisation of Musical Dialogue: phenomenology of music. Cambridge University Press, 2003.
James P. Carse. Finite and Infinite Games: a vision of life as play and possibility. Ballantine, 1987 [summary]
/ . Holes and Other Superficialities. MIT Press, 1994.
/ . Insurmountable Simplicities: thirty-nine philosophical conundrums. Columbia University Press, 2008.
Renee Coulombe. The Tao of Free Improvisation. Open Space Magazine, 5, 2003, pp. 56-69
Mihaly Csikszentmihalyi. Flow: the psychology of optimal experience. Harper and Row, 1990
Santiago de Pablo. El Lauburu: política, cu lturae identidad nacional en torno a un símbolo del País Vasco. Memoria y Civilización, 12 , 2009, pp. 109-153 [text]
Incomplete Nature: how mind emerged from matter. W. W. Norton, 2011 [summary]
Symbolic Species: the co-evolution of language and the brain. W. W. Norton, 1997 [summary]
/ (Eds.). The Other Side of Nowhere: jazz, improvisation and communities in dialogue. Wesleyan University Press, 2004.
Gemma Corradi Fiumara. The Other Side of Language: a philosophy of listening. Routledge, 1990
Franklin Foer. How Soccer Explains the World: an unlikely theory of globalization. Harper, 2004 [review]
J. Foley. Basque Oral Poetry Championship. Oral Tradition, 22, 2008, 2, pp. 3-11
J. Garzia Garmendia. History of Improvised Bertsolaritza: A Proposal. Oral Tradition, 22, 2008, 2, pp. 77-115
/ / . The Art of Bertsolaritza: improvised basque verse singing. Bertsozale Elkartea, 2001.
Reacting: role of a performer. International Improvised Music Archive, 1970 [text]
Reflexionen über Improvisation. Improvisation Und Neue Musik: Acht Kongressreferate, edited by Reinhold Brinkmann, 1979.
Réflexions sur l'improvisation, le point de vue d'un praticien. Analyse musicale, 14, 1989, pp. 9-14 [text]
Individuum-Collectivum. Quaderni di BeQuadro, 1986. [text]
Reflexiones sobre la improvisación, Pauta, U.A. Metropolitana, 1982, 2
Vom Reagieren. Melos, 2, 1971. Same text, in German. Logos Anthology. London (Experimental Music Catalogue), 1973.
Robert Graves. Seven Days in New Crete. Cassell, 1949 [summary]
Edward T. Hall. Improvisation as an Acquired, Multilevel Process. Ethnomusicology, 36, , 1992, 2, pp. 223-235
Andy Hamilton. The Art of Improvisation and the Aesthetics of Imperfection. British Iournal of Aesthetics, 40, 2000, 1, pp. 168-185
What is Called Thinking. Harper and Row, 1968
Introduction to Philosophy -- Thinking and Poetizing. Indiana University Press, 2011 [review]
Gödel, Escher, Bach: an Eternal Golden Braid: a metaphorical fugue on minds and machines in the spirit of Lewis Carroll. Basic Books, 1979 [summary]
I Am a Strange Loop, 2007 [summary]
/ . Surfaces and Essences: analogy as the fuel and fire of thinking. Basic Books, 2013.
Thomas Homer-Dixon. The Upside of Down: catastrophe, creativity and the renewal of civilization. Island Press, 2006
Johan Huizinga. Homo Ludens: a sudy of the play-element in culture. 1938 [summary]
Suguru Ishizaki. Improvisational Design. MIT Press, 2003
/ / . N-Body Games. 2005. [text]
W. T. Jones. The Romantic Syndrome: toward a new method in cultural anthropology and the history of ideas. Martinus Nijhoff, 1961
John Kao. Jamming: the art and discipline of business creativity. HarperBusiness, 1996
The Act of Creation. Hutchinson, 1964 [summary]
The Call Girls, Random House. 1973
Wolfgang Konig. Vinko Globokar: Komposition und Improvisation. Breitkopf und Hartel, 1977
/ . Where Mathematics Comes From: how the embodied mind brings mathematics into being. Basic Books, 2000. [summary]
/ (Eds.). Between Creativity and Norm-Making: tensions in the early modern era. Brill, 2012.
Global Issues and Interparadigmatic Dialogue: essays on multipolar politics. Meynier, 1988;
Scientific Revolution and Interparadigmatic Dialogues. 1979 [text]
Improvisation and Jan Broeckx's Thesis on reason, emotion and music. In: Apostel.L, Sabbe, H.,Vandamme, F (ed.): Reason, Emotion and Music, s.395-404. Gent, 1981.
Kreatief musiceren in een anti-kreatieve maatschappij?, Volksopvoeding. Belgisch-Nederlands tijdschrift vol. 25 nr. 5/6 (p.289-345), 1976.
The Strife of Systems: an essay on the grounds and implications of philosophical diversity. University of Pittsburgh Press, 1985
Paradoxes: their roots, range, and resolution. Open Court, 2001
Unknowability: an inquiry into the limits of knowledge. Lexington Books, 2009
Aporetics: rational deliberation in the face of inconsistency. University of Pittsburgh Press, 2009
Ted Richards (Ed.). Soccer and Philosophy: beautiful thoughts on the beautiful game. Open Court, 2010
George Rochberg. The Aesthetics of Survival: a composer's view of twentieth-century music. University of Michigan Press, 2004
Improvised Conversation: music, collaboration and development. Psychology of Music, 27, 1999, 2, pp. 192-216.
Improvisation and the Creative Process: Dewey, Colliingwood, and the aesthetics of spontaneity. Journal of Aesthetics and Art Criticism, 58, 2000, 2, pp. 149-161.
The Primacy of Movement. John Benjamins, 2011
Kinesthetic experience: understanding movement inside and out. Body, Movement and Dance in Psychotherapy, 5, 2010, 2, pp. 111-127 [text]
The Corporeal Turn: an interdisciplinary reader. Imprint Academic, 2009
Movement and Mirror Neurons: a challenging and choice conversation. Phenomenology and the Cognitive Sciences, 11, 2012, 3, pp. 385-401 [abstract]
Miklos N. Szilagyi. Investigation of N -Person Games by Agent-Based Modeling. Complex Systems, 21, 2012 [text]
Number and Time: reflections leading toward a unification of depth psychology and physics. Northwestern University Press, 1986
Psyche and Matter. Shambhala, 1992
/ . Basketball and Philosophy: thinking outside the paint. University Press of Kentucky, 2008.
Keiji Yamada. Konton no Umi e: Chugoku-teki Shiko no Kozo (ln a Sea of Chaos: the structure of Chinese thinking). Tokyo, 1975
Frances Yates. The Art of Memory. Routledge and Kegan Paul, 1966 [summary]