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Improvisation in Multivocal Poetic Discourse


Improvisation in Multivocal Poetic Discourse (References)

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Adams, Ernest.  Fundamentals of Game Design. New Riders, 2013.

Alexander, Christopher.  The Nature of Order: an essay on the art of building and the nature of the universe. Center for Environmental Structure, 2003-4.. [summary]

Alexander, Christopher.  Harmony-Seeking Computations: a science of non-classical dynamics based on the progressive evolution of the larger whole. International Journal for Unconventional Computing (IJUC), 5, 2009. [text]

Alexander, Christopher.  New Concepts in Complexity Theory: an overview of the four books of the Nature of Order with emphasis on the scientific problems which are raised. 2003. [text]

Alexander, Christopher.  A Pattern Language. Oxford University Press, 1977. [summary]

Austin, Michael W.  (Ed.).    Football and Philosophy: going deep. University Press of Kentucky, 2009.

Walls, Jerry L. / Bassham, Gregory.  Basketball and Philosophy: thinking outside the paint. University Press of Kentucky, 2008.

Baum, Harold.  Biochemists' Song Book. Taylor and Francis, 1995. [review]

Bausch, Kenneth  (Ed.).    With Reason and Vision: structural dialogic design. Ongoing Emergence Press, 2015.

Beer, Stafford.  Beyond Dispute: the invention of team syntegrity. Wiley, 1994.

Berne, Eric.  Games People Play. Grove Press, 1964. [summary]

Blake, Anthony G. E.  The Supreme Art of Dialogue: structures of meaning. Duversity Publications, 2008. [contents]

Bohm, David.  On Dialogue. Routledge, 2004.

Bronson, Eric  (Ed.).    Baseball and Philosophy: thinking outside the batter's box. Open Court, 2004.

Bruce Ellis Benson: The Improvisation of Musical Dialogue: phenomenology of music / Bruce Ellis Benson: The Improvisation of Musical Dialogue: phenomenology of music.  Cambridge University Press, 2003.

Bruce Ellis Benson: The Improvisation of Musical Dialogue: phenomenology of music / Bruce Ellis Benson: The Improvisation of Musical Dialogue: phenomenology of music.  Cambridge University Press, 2003.

Carse, James P.  Finite and Infinite Games: a vision of life as play and possibility. Ballantine, 1987. [summary]

Casati, Roberto / Varzi, Achille C.  Holes and Other Superficialities. MIT Press, 1994.

Casati, Roberto / Varzi, Achille C.  Insurmountable Simplicities: thirty-nine philosophical conundrums. Columbia University Press, 2008.

Coulombe, Renee.  The Tao of Free Improvisation. Open Space Magazine, 5, 2003, pp. 56-69.

Csikszentmihalyi, Mihaly.  Flow: the psychology of optimal experience. Harper and Row, 1990.

Jiang, Albert Xin / Leyton-Brown, Kevin / De Freitas, Nando.  N-Body Games. 2005. [text]

de Pablo, Santiago.  El Lauburu: política, cu lturae identidad nacional en torno a un símbolo del País Vasco. Memoria y Civilización, 12 , 2009, pp. 109-153. [text]

Deacon, Terrence W.  Symbolic Species: the co-evolution of language and the brain. W. W. Norton, 1997. [summary]

Deacon, Terrence W.  Incomplete Nature: how mind emerged from matter. W. W. Norton, 2011. [summary]

Garzia, Joxerra / Sarasua, Jon / Ergaña, Andoni.  The Art of Bertsolaritza: improvised basque verse singing. Bertsozale Elkartea, 2001.

Fischlin, Daniel / Heble, Ajay  (Eds.).    The Other Side of Nowhere: jazz, improvisation and communities in dialogue. Wesleyan University Press, 2004.

Fiumara, Gemma Corradi.  The Other Side of Language: a philosophy of listening. Routledge, 1990.

Foer, Franklin.  How Soccer Explains the World: an unlikely theory of globalization. Harper, 2004. [review]

Foley, J.  Basque Oral Poetry Championship. Oral Tradition, 22, 2008, 2, pp. 3-11.

Garmendia, J. Garzia.  History of Improvised Bertsolaritza: A Proposal. Oral Tradition, 22, 2008, 2, pp. 77-115.

Garzia, Joxerra / Sarasua, Jon / Ergaña, Andoni.  The Art of Bertsolaritza: improvised basque verse singing. Bertsozale Elkartea, 2001.

Globokar, Vinko.  Reacting: role of a performer. International Improvised Music Archive, 1970. [text]

Globokar, Vinko.  Reflexionen über Improvisation. Improvisation Und Neue Musik: Acht Kongressreferate, edited by Reinhold Brinkmann, 1979..

Globokar, Vinko.  Réflexions sur l'improvisation, le point de vue d'un praticien. Analyse musicale, 14, 1989, pp. 9-14. [text]

Globokar, Vinko.  Individuum-Collectivum. Quaderni di BeQuadro, 1986.. [text]

Globokar, Vinko.  Vom Reagieren. Melos, 2, 1971. Same text, in German. Logos Anthology. London (Experimental Music Catalogue), 1973..

Globokar, Vinko.  Reflexiones sobre la improvisación, Pauta, U.A. Metropolitana, 1982, 2.

Graves, Robert.  Seven Days in New Crete. Cassell, 1949. [summary]

Hall, Edward T.  Improvisation as an Acquired, Multilevel Process. Ethnomusicology, 36, , 1992, 2, pp. 223-235.

Hamilton, Andy.  The Art of Improvisation and the Aesthetics of Imperfection. British Iournal of Aesthetics, 40, 2000, 1, pp. 168-185.

Fischlin, Daniel / Heble, Ajay  (Eds.).    The Other Side of Nowhere: jazz, improvisation and communities in dialogue. Wesleyan University Press, 2004.

Heidegger, Martin.  What is Called Thinking. Harper and Row, 1968.

Heidegger, Martin.  Introduction to Philosophy -- Thinking and Poetizing. Indiana University Press, 2011. [review]

Hofstadter, Douglas.  Gödel, Escher, Bach: an Eternal Golden Braid: a metaphorical fugue on minds and machines in the spirit of Lewis Carroll. Basic Books, 1979. [summary]

Hofstadter, Douglas / Sander, Emmanuel.  Surfaces and Essences: analogy as the fuel and fire of thinking. Basic Books, 2013.

Hofstadter, Douglas.  I Am a Strange Loop, 2007. [summary]

Homer-Dixon, Thomas.  The Upside of Down: catastrophe, creativity and the renewal of civilization. Island Press, 2006.

Huizinga, Johan.  Homo Ludens: a sudy of the play-element in culture. 1938. [summary]

Ishizaki, Suguru.  Improvisational Design. MIT Press, 2003.

Jiang, Albert Xin / Leyton-Brown, Kevin / De Freitas, Nando.  N-Body Games. 2005. [text]

Jones, W. T.  The Romantic Syndrome: toward a new method in cultural anthropology and the history of ideas. Martinus Nijhoff, 1961.

Kao, John.  Jamming: the art and discipline of business creativity. HarperBusiness, 1996.

Koestler, Arthur.  The Call Girls, Random House. 1973.

Koestler, Arthur.  The Act of Creation. Hutchinson, 1964. [summary]

Konig, Wolfgang.  Vinko Globokar: Komposition und Improvisation. Breitkopf und Hartel, 1977.

Lakoff, George / Núñez, Rafael E.  Where Mathematics Comes From: how the embodied mind brings mathematics into being. Basic Books, 2000. [summary]

Jiang, Albert Xin / Leyton-Brown, Kevin / De Freitas, Nando.  N-Body Games. 2005. [text]

Müller, Sigrid / Schweiger, Cornelia  (Eds.).    Between Creativity and Norm-Making: tensions in the early modern era. Brill, 2012.

Mushakoji, Kinhide.  Global Issues and Interparadigmatic Dialogue: essays on multipolar politics. Meynier, 1988;.

Mushakoji, Kinhide.  Scientific Revolution and Interparadigmatic Dialogues. 1979. [text]

Lakoff, George / Núñez, Rafael E.  Where Mathematics Comes From: how the embodied mind brings mathematics into being. Basic Books, 2000. [summary]

Raes, Godfried-Willem.  Kreatief musiceren in een anti-kreatieve maatschappij?, Volksopvoeding. Belgisch-Nederlands tijdschrift vol. 25 nr. 5/6 (p.289-345), 1976..

Raes, Godfried-Willem.  Improvisation and Jan Broeckx's Thesis on reason, emotion and music. In: Apostel.L, Sabbe, H.,Vandamme, F (ed.): Reason, Emotion and Music, s.395-404. Gent, 1981..

Rescher, Nicholas.  Aporetics: rational deliberation in the face of inconsistency. University of Pittsburgh Press, 2009.

Rescher, Nicholas.  Paradoxes: their roots, range, and resolution. Open Court, 2001.

Rescher, Nicholas.  The Strife of Systems: an essay on the grounds and implications of philosophical diversity. University of Pittsburgh Press, 1985.

Rescher, Nicholas.  Unknowability: an inquiry into the limits of knowledge. Lexington Books, 2009.

Richards, Ted  (Ed.).    Soccer and Philosophy: beautiful thoughts on the beautiful game. Open Court, 2010.

Rochberg, George.  The Aesthetics of Survival: a composer's view of twentieth-century music. University of Michigan Press, 2004.

Hofstadter, Douglas / Sander, Emmanuel.  Surfaces and Essences: analogy as the fuel and fire of thinking. Basic Books, 2013.

Garzia, Joxerra / Sarasua, Jon / Ergaña, Andoni.  The Art of Bertsolaritza: improvised basque verse singing. Bertsozale Elkartea, 2001.

Sawyer, R. K.  Improvised Conversation: music, collaboration and development. Psychology of Music, 27, 1999, 2, pp. 192-216..

Sawyer, R. K.  Improvisation and the Creative Process: Dewey, Colliingwood, and the aesthetics of spontaneity. Journal of Aesthetics and Art Criticism, 58, 2000, 2, pp. 149-161..

Müller, Sigrid / Schweiger, Cornelia  (Eds.).    Between Creativity and Norm-Making: tensions in the early modern era. Brill, 2012.

Sheets-Johnstone, Maxine.  Movement and Mirror Neurons: a challenging and choice conversation. Phenomenology and the Cognitive Sciences, 11, 2012, 3, pp. 385-401. [abstract]

Sheets-Johnstone, Maxine.  The Primacy of Movement. John Benjamins, 2011.

Sheets-Johnstone, Maxine.  Kinesthetic experience: understanding movement inside and out. Body, Movement and Dance in Psychotherapy, 5, 2010, 2, pp. 111-127. [text]

Sheets-Johnstone, Maxine.  The Corporeal Turn: an interdisciplinary reader. Imprint Academic, 2009.

Szilagyi, Miklos N.  Investigation of N -Person Games by Agent-Based Modeling. Complex Systems, 21, 2012. [text]

Casati, Roberto / Varzi, Achille C.  Holes and Other Superficialities. MIT Press, 1994.

Casati, Roberto / Varzi, Achille C.  Insurmountable Simplicities: thirty-nine philosophical conundrums. Columbia University Press, 2008.

von Franz, Marie-Louise.  Number and Time: reflections leading toward a unification of depth psychology and physics. Northwestern University Press, 1986.

von Franz, Marie-Louise.  Psyche and Matter. Shambhala, 1992.

Walls, Jerry L. / Bassham, Gregory.  Basketball and Philosophy: thinking outside the paint. University Press of Kentucky, 2008.

Yamada, Keiji.  Konton no Umi e: Chugoku-teki Shiko no Kozo (ln a Sea of Chaos: the structure of Chinese thinking). Tokyo, 1975.

Yates, Frances A.  The Art of Memory. Routledge and Kegan Paul, 1966. [summary]