References

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References (Non-Kairos references)

[Parts: First | All] [Links: To-K ]

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örücü, Esin.  Critical Comparartive Law: Considering Paradoxes for Legal Systems in Transition. EJCL Netherlands Comparative Law Association, Vol. 4.1 June 2000. [text]

Alcalde, Gonzalo / Sagasti, Francisco R.  Development Coooperation in a Fractured Global Order: An Arduous Transition. International Development Research Center, 1999.

Arquilla, John / Ronfeldt, David.  The Emergence of Noopolitik: Toward An American Information Strategy. Rand Corp., 1999. [text]

Attali, Jacques.  Noise: The Political Economy of Music. Univ of Minnesota Press, 1985  (Theory and History of Literature, Vol 16).

Ayensu, Edward S. / Whitfield, Paul.  The Rhythms of Life. Book Club Associates, 1982.

Ballas, J. A.  Delivery of Information Through Sound. In Auditory Display: Sonification, Audification and Auditory Interfaces, edited by G. Kramer. Santa Fe Institute Studies in the Sciences of Complexity, Proc. Vol. XVIII. Reading, MA: Addison Wesley, 1994.

Barrass, Stephen.  Auditory Information Design, PhD Thesis, Australian National University. 1995. [text]

Baum, Harold.  Biochemists' Songbook. Taylor and Francis, 1995, 2e ed.

Berendt, Joachim-Ernst.  The World Is Sound: Nada Brahma music and the landscape of consciousness. Inner Traditions Intl, 1991.

Blacking, J.  Music, Culture and Experience. University of Chicago Press. 1995.

Bortoft, H.  The Wholeness of Nature: Goethe's Way towards a Science of Conscious Participation in Nature. Lindisfarne Press, 1996.

Botkin, James W. / Elmandjra, Mahdi / Malitza, Mircea.  No Limits to Learning: Bridging the Human Gap. Pergamon, 1979  ('A Report to the Club of Rome').

Bourgoin, Henry.  L'Afrique Malade du Management. Paris, Editions Jean Picollec, 1984  (Collection Perspective 2000).

Brewster, Stephen A.  Providing a structured method for integrating non-speech audio into human-computer interfaces, PhD Thesis, University of York, UK. 1994. [text]

Brown, J. S.  Seeing Different: Insights on Innovation. Cambridge, MA: Harvard Business Review Book, 1988.

Chan, Marjorie K. M.  Tone and Melody in Catnonese. Berkeley Linguistic Society, Proceedings of the Thirteenth Annual Meeting. 1987. Pp. 26-37.. [text]

Chernoff, John Miller.  African Rhythm and Sensibility. University of Chicago Press,1979.

Childre, D. / Cryer, B.  From Chaos to Coherence: Advancing Emotional and Organizational Intelligence Through Inner Quality Management. Butterworth Heinemann, 1999.

Clynes, Manfred  (Ed.).    Music, Mind and Brain: The Neuropsychology of Music. Plenum, 1982. (A collection of papers based on the conference on Physical and Neuropsychological Foundation of Music which was in Ossiach  (wherever that is!) in 1980. It covers topics such as the nature of the language of music, how the brain organises musical experience, perception of sound and rhythm, and how computers can help contribute to a better understanding of musical processes.).

Cooke, Deryck.  An Introduction to Der Ring des Nibelungen. CD.

Danielou, Alain.  Music and the Power of Sound: the influence of tuning and interval on consciousness. Inner Traditions Intl, 1995.

de Laet, Christian.  The Only Thing We Have: a framework for environmental policies. Port Moresby, 1978.

De Nicolas, Antonio T.  Powers of Imagining. State University of New York Press, 1986.

De Nicolas, Antonio T.  Meditations through the Rg Veda. Boulder, Shambhala, 1978.

Deutscher, Max.  Subjecting and Objecting: an essay in objectivity. University of Queensland Press, 1983.

Djamen, Jean-Yves / Ramazani, Dunia / Soteg, Stephane.  Electronic networking in Africa: emergence towards the Internet. FID News Bulletin, 45(7/8): 228-233.

Dowling, W. J. / Harwood, D. L.  Music Cognition. San Diego: Academic Press, 1986. (A general text providing an abundance of information concerning the physical characteristics of musical sound and the processes involved in its perception. Topics covered include basic acoustics, physiology of hearing, music perception  (e.g., timbre, consonance/dissonance, etc.), melodic organization, temporal organization, emotion and meaning, and cultural context of musical experience; abundant references to research in each of these areas are provided for further reading.).

Dulic, Aleksandra / Newby, Kenneth.  HeteroForm Organization and the Cinema of Braided Processes. 2003. [text]

Epskamp, Kees.  Healing Divided Societies [through visual and performing arts]. Comparative Studies in Arts and Art Education in Global Perspective, 1998?.. [text]

Evensen, Kritian.  The Star Wars series and Wagner's Ring: Structural, thematic and musical connections. 1999. [text]

Fuglesang, Andreas.  About Understanding: ideas and observations on cross-cultural communication. Uppsala, Dag Hammarskjold Foundation, 1982.

Gould, Helen.  The Arts: Contribution to Peace in Northern Ireland. Creative Exchange. [text]

Hackman, J. Richard / Lehman, Erin / Galinsky, Adam.  The London Symphony Orchestra. Harvard Business School Publishing, 2000, 22 p  (Case Study 494034).

Helbing, Dirk / Vicsek, Tamàs.  Optimal self-organization. New Journal of Physics 1, 13.1-13.17  (1999).

Helbing, Dirk / Treiber, M.  Jams, waves and clusters. Science 282, 2001-2003  (1998).

Helbing, Dirk / Huberman, B. A.  Coherent moving states in highway traffic. Nature 396, 738-740  (1998).

Hempel, Drew W.  Epicenters of Justice; music theory, sound-current nondualism and radical ecology. St >Paul MN, Paddlefish First!., 2000. [text]

Higgins, Kathleen Marie.  Music and the Ten Thousand Things: Musical Metaphysics in China: Aesthetics in the Age of the Transformer. [text]

Higgins, Margot.  Conversing in Tones: Research Links Perfect Pitch and Tonal Language. National Geographic, 7 August 2000. [text]

Hoem, Jean C.  Music and the Environment. The Conservationist, (25, 4) 4-5/71, p.2-4.. [text]

Huebner, Peter.  Tension in classical Music [text; Harmony and Disharmony. [text]

Ihde, Don.  Singing the World: Language and Perception. In: Expanding Hermeneutics: Visualism in Science  (Evanston: Northwestern University Press, 1998).

Jameson, D.  Sonnet: Audio-Enhanced Monitoring and Debugging. In Auditory Display: Sonification, Audification and Auditory Interfaces, edited by G. Kramer. Santa Fe Institute Studies in the Sciences of Complexity, Proc. Vol. XVIII. Reading, MA: Addison Wesley, 1994  (Describes a visual programming language for attaching run-time actions to running programs. The run-time actions allow highly controlable sounds to be attached both to programs and to data. Examples include differentiating among different sorting algorithms by their auditory characteristics as well as tracking trends in variables over time.).

Jegede, Olugbemiro.  From talking drums to electronic networking: Africa's snailmobile through the cyberspace. FID News Bulletin, 45 (7/8): 218-224.

Judge, Anthony.  Metaphor and the Language of Futures In: Futures Apr 1993, pp. 275-288.

Kao, John.  J. [John Kao. Jamming: the art and discipline of business creativity, 1997 (now extended into a website http://www.jamming.com/]

Kepes, Gyorgy.  L. [Gyorgy Kepes. Language of Vision, Dover, 1995 (and earlier works; founder of MIT Center for Advanced Visual Studies text]

Kirschenbaum, Matthew G.  Truth, Beauty and the User Interface: Notes on the aesthetics of information 1998. [text]

Kramer, G.  (Ed.).    Auditory Display: Sonification, Audification and Auditory Interfaces. Santa Fe Institute Studies in the Sciences of Complexity, Proc. Vol. XVIII. Reading, MA: Addison-Wesley, 1994  (Collection of 21 papers, defining the state of auditory display research at the time of its publication. It includes an extensive introductory chapter, foreword by A. Bregman, annotated bibliography, audio CD of sound examples, resources appendix, and informal comments by several ICAD participants).

Krishnamoorthy, Mohan.  Carnatic Music: Shastriya Sangeetam. 1997. [text]

Lomax, Alan.  Song structure and social structure. In: M.C. Albrecht, J.H. Barnett and M. Griff (Eds.) The Sociology of Art and Literature. Duckworth, 1970.

Mansur, D. L. / Blattner, M. M. / Joy, K. I.  "Sound-Graphs: A Numerical Data Analysis Method for the Blind." In Proceedings of the 18th Annual Hawaiian International Conference on System Science, held January 1985 in Honolulu, Hawaii. Los Alamitos, CA: IEEE Computer Society Press, 1984. Also in J. Med. Sys. 9 (1985): 163--174.

Maruyama, Magoroh.  Mindscapes, social patterns and future development of scientific theory types. Cybernetica, (1980), 23, 1, pp. 5-25.

McClain, Ernest G.  M. [Ernest G. McClain. Myth of Invariance: the origins of the gods, mathematics and music from the Rg Veda. Shambhala, 1976 (see summary]

Moore, Thomas.  The Planets Within: the astrological psychology. Lindisfarne Books, 1990  (an interpretation of the work of Marsilio Ficino).

Obijiofor, Levi / Inayatullah, Sohail / Stevenson, Tony.  Impact of New Information and communication Technologies (ISTs) on Socio-economic and Educational Development of Africa and the Asia-Pacific. Journal of Futures Studies, May 2000, 4(2): 21-66.

Posey, Darrell A.  (Ed.).    Cultural and Spiritual Values of Biodiversity: a complementary contribution to Global Biodiversity Assessment, Intermediate Technology, 1999  (for the United Nations Environment Programme).

Rabenhorst, D. A. E. / Farrell, E. J. / Jameson, D. H. / Linton, T. D. / Mandelman, J. A.  Complementary Visualization and Sonification of Multidimensional Data. In: Extracting Meaning from Complex Data: Processing, Display, Interaction, edited by E. J. Farrel, Vol. 1259, 147--153. SPIE, 1990  (Data enhancement is only the first level of auditory data representation. Utilization of the auditory channel to present unseen data is represented in this paper. The goal of these researchers was to use sound in a manner that "is intuitive enough and readily learnable enough to be effective as an additional sensory input to a mental model).

Rosenboom, David.  Propositional music: on emergent properties in morphogenesis and the evolution of music. In: John Zorn (Ed.). Arcana: Musicians on Music. Granary Books, 2000, pp. 203-232 (earlier versions in Leonardo (30:4, 1997) and Leonardo Music Journal  (7, 1997)).

Rowley-Yugen, Keith.  "Singing the World:": Bridging Disparities via the Phenomenon of Music. [text]

Rudhyar, Dane.  Dissonant Harmony: a new principle of musical and social organization. [text]

Scaletti, C. / Craig, A. B.  Using Sound to Extract Meaning from Complex Data. In: Extracting Meaning from Complex Data: Processing, Display, Interaction, edited by E. J. Farrel, Vol. 1259, 147--153. SPIE, 1990  (Because sound is an inherently time-variable phenomena, Scaletti and Craig concentrated their ADR work on the representation of time-varying data mapped to animated graphics and sound. Examples discussed include sonifications of forest fire data, Los Angeles pollution levels, and swinging pendula.).

Schafer, R. M.  The Tuning of the World. Knopf, 1977  (Describes studies of the acoustic environment undertaken in the World Soundscape Project including historical changes in the acoustic environment, cross-cultural studies of listening preferences and sound interpretation, and studies of references to sound in literature.).

Scharmer, Claus Otto.  Ästhetik als Kategorie strategischer Führung. Stuttgart: Urachhausverlag, 1991.

Senge, Peter / Kleiner, A. / Roberts, C. / Ross, R. / Roth, G. / Smith, B.  (Eds.).    The Dance of Change: A Fieldbook for Sustaining Momentum in a Learning Organization. Doubleday Currency, 1999.

Shepherd, John / Wicke, Peter.  Music and Cultural Theory. Polity Press, 1997.. [review]

Smith, S. / Grinstein, G. / Pickett, R. M.  Global Geometric, Sound and Color Controls for the Visualization of Scientific Data. In: Proceedings of the SPIE/SPSE Conference on Electronic Imaging, Vol. 1459, 192--206. San Jose, CA: SPIE, 1991  (The authors argue that users should be able to fine-tune visual and auditory data displays to achieve the optimal presentation of their data. They gives examples of how this can be done with the "iconographic" display techniques they developed. The accompanying video gives one brief sound example.).

Sogolo, Godwin.  Foundations of African Philosophy: a definitive analysis of conceptual issues in African thought. Ibadan University Press, 1993.

Ungerleider, John.  Music and Poetry Build Bi-communal Peace Culture in Cyprus. School for International Training, Vermont, USA. [text]

Union of International Associations. See relevant reference publications

Walker, R.  The Effects of Culture, Environment, Age and Musical Training on Choices of Visual Metaphors for Sound. Percep. and Psycho. 42 (1987): 491--502  (Reports on studies of choices of visual metaphors for sound parameters. In the sound domain he looked at frequency, waveform, amplitude, and duration).

Warren, W. H. / Verbrugge, R. R.  Auditory Perception of Breaking and Bouncing Events: A Case Study in Ecological Acoustics. J. Exp. Psych. 10 (1984): 704--712  (Seminal study of everyday listening which used analysis and synthesis of events to link acoustical information to event perception).

Wishart, Trevor.  Complexity and Beauty in Music: Some Complications, 1997. [text]

Wright, Judith

Yates, Frances A.  The Art of Memory. University of Chicago Press, 1974.

Zbikowski, Lawrence M.  Metaphor and Music Theory: Reflections from Cognitive Science.Music Theory Online, Volume 4, Number 1 January. [text]