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This is consistent with the arguments for a quadrilemma articulated by Kinhide Mushakoji (Global Issues and Interparadigmatic Dialogue. Torino, Albert Meynier, 1988), Hopefully the animations merit the judgement of the Italian aphorism: Si non e vero, é ben trovato which might be usefully rendered here as If it is not true, it is nevertheless appropriate. Animations can be understood in terms of design, whether their validity is evaluated in terms of scientific or aesthetic criteria -- especially given the elegance considered a characteristic of interesting theories.
It is appropriate to note that the hexagrams that are one feature of the animations form part of the I Ching (Yi Jing or Book of Changes) which were long a feature of governance within the Chinese civilization -- and required reading by entrants to the civil service of the time. The terms traditionally associated with them offer an interesting cognitive bridge between values and strategic decisions (as is evident in the screen shot below). The possible current relevance of their complex relationships to policy-making cycles can be explored separately (Interrelationships between 64 Complementary Approaches to Policy-making, 2007; Documents relating to Sustainable Policy, 2006; Transformation Metaphors, 1997). The use of the circle of I Ching hexagrams was first explored with respect to "networking" (Networking Alternation: an alternation network of 384 pathways of organizational transformation, 1983). The case for the exploration of such metaphors, especially those of Asia, has been well argued by Susantha Goonatilake (Toward a Global Science: mining civilizational knowledge, 1999).
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