Sustaining a Community of Strange Loops (Part #3)
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The question in what follows is whether more can be made of this approach as a means of facilitating comprehension and engagement. The experimental approach to "forms of presentation" follows from work associated with an initiative, instigated by Johan Galtung, of the Goals, Processes and Indicators of Development (GPID) project of the United Nations University (Forms of Presentation and the Future of Comprehension, 1984).
Myth: An exemplar of the mythopoetic genre -- of worldwide contemporary significance -- is the epic tale of J. R. R. Tolkien (The Lord of the Rings, 1954). This might be understood as a celebration of the significance and power of "rings" in a cognitively complex system. Its scenario is classically synthesized in poetic form:
| Mythical rings Three Rings for the Elven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the Shadows lie. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them In the Land of Mordor where the Shadows lie. |
In the earlier paper (Relevance of Mythopoeic Insights to Global Challenges: cognitive integration implied by the Lord of the Rings, 2009) this mythopoetic scenario was used as a template to hold issues relating to global governance.
Strange loops: The above pattern may be further transformed through allusions in relation to strange loops, as previously discussed (Warp and Weft of Future Governance: ninefold interweaving of incommensurable threads of discourse, 2010).
| Strange loops Three Loops for the Mages under the sky -- Steiner-Gebser-Wilber? Seven for the Dwarf-lords in their halls of stone -- Gödel-Escher-Bach and others? Nine for Mortal Men doomed to die -- through their dysfunctional behaviour? One for the Dark Lord on his dark throne Ruling humanity's Unconscious Civilization where the Shadows lie? One Loop to rule them all, One Loop to find them One Loop to bring them all and in the darkness bind them Through the strange connecting loop via the Netherworld? |
In the above variant:
Systemic cycles: The pattern might be further transformed by substituting "cycles" -- common in ecological and economic discourse -- rather than the feedback "loops" (more generically understood in cybernetics). Both forms are however recognized in usage such as "vicious loops" and "vicious cycles", especially with reference to violence (Dysfunctional Cycles and Spirals: web resources on "breaking the cycle", 2002) .
| Cycles of sustainability Three Cycles for the environmental systems of Air, Water and Fire? Seven for the disparate Eco-scientists in their halls of stone? Nine for Mortal Men doomed to die -- through ignoring Cycles of Sustainability? One for the Dark Lord on his dark throne Embodying Uncertainty and the shadowy Unknown? One Cycle to rule them all, One Cycle to find them One Cycle to bring them all and in the darkness bind them Namely the Adaptive Cycle integrating the cognitive Netherworld? |
In the above variant:
Knowledge cybernetics: As a further transformation, a more systemic general language might be used.
| Cybernetics of human knowing Three strange attractors to be fruitfully interwoven Seven disparate ways of knowing to be artfully integrated Nine fatally problematic human behaviours to be reconciled One unconscious blindspot to be self-reflexively re-cognized One enactive insight to embody the connecting pattern |
In the above variant:
Riddles and puzzles: In the light of Gidley's case for "post-formal" discourse, there is a strong argument for further transformation through reframing the assertions of conventional "kataphatic" discourse. Possibilities including formulation in terms of questions or as a form of puzzle -- even the traditional riddle with which leaders of the past have been confronted in myth and legend. Enthusiasm for this mode is evident in the appeal of The Da Vinci Code (2003), its imitators and software requiring creative engagement (such as Myst and its imitators).
Questions: In the following transformation, use has been made of the classical set of 7 WH-questions (what, how, which, why, when, where, who). These are also interesting because of their possible relationship to the set of catastrophes noted by catastrophe theory (Conformality of 7 WH-questions to 7 Elementary Catastrophes: an exploration of potential psychosocial implications, 2006).
| Strategic riddles for the future What three strange qualitative attractors should one seek magically to intertwine? How to integrate the requisite variety of which seven disparate modes of knowing? Why are nine systemically counterproductive behaviours such a challenge to recognize? When and where will the disastrously unforeseen next emerge? Who is the enactor of the connecting pattern to be most fruitfully embodied? |
Reframing the question-answer dynamic: Such a set of questions -- a ring of questions -- might be further transformed by rethinking their formulation in the light of the traditional Zen koan. The issue is how to shift from the conventional question-to-answer mode to one in which the question evokes reflection on itself such as to transform the answer into a new modality (Am I Question or Answer? 2007; Clustering Questions of Existential Significance, 2010).
In that sense the koan process can be understood as a fundamental educational process -- eliciting evolition of consciousness.
Cognitive implications of music: The transformation might also be taken further in the light of the epistemological arguments regarding the cognitive role of music. Such explorations are facilitated by the work of Dmitri Tymoczko (The Geometry of Musical Chords, Science, 2006). As noted separately, music has always been associated with tanatalizing insights into the "circulation of the light" (Circulation of the Light: essential metaphor of global sustainability? 2010). As mentioned there, it is therefore of considerable interest to note the results of psychoacoustic experiments by C L Krumhansl and E J Kessler (Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys, Psychological Review, 1982) of the inter-key relations of all major and minor keys can be represented geometrically on a torus -- as shown by Benjamin Blankertz, Hendrik Purwins and Klaus Obermayer (Constant Q Profiles and Toroidal Models of Inter-Key Relations -- ToMIR, 1999) in the following image.
| Geometric representation of the inter-key relations of all major and minor keys (derived from psychoacoustic experiments by Krumhansl and Kessler) |
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Further implications have notably been developed by Antonio de Nicolas (Meditations through the Rg Veda, 1978) regarding the use of languages based on tone in his study of the four complementary conceptual languages of the Rg Veda considered necessary to hold the complexity of insights and experience. His explorations were associated with the musical theory of Ernest G. McClain (Myth of Invariance: the origins of the gods, mathematics and music from the Rg Veda to Plato, 1976) and offered the following insight relevant to the nature of cognitive embodiment.
A Singer as a Strange Loop? In ancient times, the infinite possibilities of the number field were considered isomorphic with the infinite possibilities of tone...Rg Veda man, like his Greek counterparts, knew himself to be the organizer of the scale, and he cherished the multitude of possibilities open to him too much to freeze himself into one dogmatic posture. His language keeps alive that 'openness' to alternatives, yet it avoids entrapment in anarchy. It also resolves the fixity of theory by setting the body of man historically moving through the freedom of musical spaces, viewpoint transpositions, reciprocities, pluralism, and finally, an absolutely radical sacrifice of all theory as a fixed invariant. |
This was cited in the argument for A Singable Earth Charter, EU Constitution or Global Ethic? (2006).
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