You are here

Living with the enemy as an aesthetic challenge?


Crafting an Exit Strategy from Universal Vaccination Failure (Part #5)


[Parts: First | Prev | Next | Last | All] [Links: To-K | Refs ]


When framed as a conventional threat, an enemy typically evokes the kinds of strategic response favoured from a security perspective and cultivated with military metaphors. Terrorism and Afghanistan have been witness to the questionable outcome. The aesthetic modality is typically ignored (other than in parades) or presented through horrific images to evoke a military response. Given such unfruitful outcomes, it is appropriate to ask whether aesthetics offers more integrative possibilities, as previously argued (Aesthetics of Governance in the Year 2490, 1990). The curious possibilities of poetry have been argued with respect to Afghanistan, for example (Poetic Engagement with Afghanistan, Caucasus and Iran an unexplored strategic opportunity? 2009; Strategic Jousting through Poetic Wrestling: aesthetic reframing of the clash of civilizations, 2009).

NB: This argument (presented here in an earlier version of this document) has been transferred to a separate document where it is is more fully developed(Comparable Modalities of Aesthetics, Logic and Dialogue -- in the light of correspondences between their polyhedral representation, 2021).