Transforming from Paranoia through Metanoia and Hyponoia? (Part #3)
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One approach to reframing "paranoia" is to recognize the set of cognitive modalities as engendering radically contrasting stories:
| There are known knowns; there are things we know that we know. There are known unknowns; that is to say, there are things that we now know we don't know. But there are also unknown unknowns - there are things we do not know we don't know. | And if the Wine you drink, the Lip you press, End in the Nothing all Things end in -- Yes -- Then fancy while Thou art, Thou art but what Thou shalt be -- Nothing -- Thou shalt not be less. |
The challenge is to explore ways of interweaving the "stories" to enable both "navigation" between them and a larger coherence, as previously discussed (Interweaving Thematic Threads and Learning Pathways, 2010). This is usefully illustrated by the potentially dynamic connectivity of the following images (adapted from Wikipedia) -- especially in the light of the cognitive implications of their topological relationship.
| Images indicative of interwoven stories | |
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Topology of the crown jewels? There is of course a symbolic irony to the manner in which a "pentagon" is embodied in both the more conventional image (on the left), as promoted in religious contexts, and in that on the right. The latter is composed of multiple Borromean rings of significance in topology as forming a Brunnian link (namely removing any ring results in several unlinked rings). It is based on a depiction in the Principia Discordia and is promoted by Discordianism (and is therefore known as the "Discordian mandala").
The cognitive implications of the Borromean knot (or ring), basic to the image on the right, are discussed separately in relation to the work of Jacques Lacan and Francisco Varela (Engendering holistic integration: Borromean knots and Klein bottles? 2010). The Borromean knot also figures -- as basic to the minimal stable concept -- in the work of Gordon Pask on his Interaction of Actors Theory, as extensively summarized by Nick Green (Interactions of Actors Theory, Kybernetes, 2004). Comments relevant to the above argument appear in a recent blog (Borromean Machine-Oriented Ontology, Strange Strangers, and Alien Phenomenology, LarvalSubjects, 24 July 2012).
Such imagery, and the associated arguments, are suggestive of the requisite complexity of any healthy dynamic interrelating paranoia with the other "noias". They are consistent with the self-reflexivity and paradox explored in the work of Douglas Hofstadter (I Am a Strange Loop, 2007) and its collective implication, discussed separately (Sustaining a Community of Strange Loops: comprehension and engagement through aesthetic ring transformation, 2010).
Given the inspiration of the "crown jewels" of the intelligence community for the argument above, it is also appropriate to note how the configurations of the images above can be readily understood as constituting a "crown" enabling a form of "cognitive fusion" fundamental to governance, as described separately (Engaging with Globality through Cognitive Crowns, 2009; Enactivating a Cognitive Fusion Reactor, 2006). It is in effect the points of intersection on the "learning pathways" mapped by the crown configuration that are the locus of any cognitive "jewel" (Spherical Configuration of Interlocking Roundtables, 1998; Spherical Configuration of Categories to Reflect Systemic Patterns of Environmental Checks and Balances, 1994).
There is the further delightful implication that the number of jewels in any such crown might then be governed by the Euler characteristic in algebraic topology, as originally determined for polyhedra (David S. Richeson, Euler's Gem: the polyhedron formula and the birth of topology, 2012).
The jewel metaphor can be exploited further (Patterning Archetypal Templates of Emergent Order: implications of diamond faceting for enlightening dialogue, 2002). As points of intersection on unrecognized "learning pathways", the "jewels" of the intelligence community could be understood as the "stations" on a form of map, as depicted below.
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Reproduced from Mapping the Global Underground (2010) |
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