Correlating a Requisite Diversity of Metaphorical Patterns (Part #7)
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As typically expressed the conditions recall too readily a form of moralistic, deterministic, "motherhood statement", namely directives ("shoulds" and "musts"). Although these appear unquestionably appropriate, they are readily experienced as objectionable by many in existential agony -- namely as too bland for those who are living "on the edge", under conditions framed by such terms as depression, disillusion, despair, disgust, denigration and denial.
The point is well made by the protest of Jack Nicholson (in the movie As Good As It Gets): I am drowning here and you are describing the water. Such concerns, with similar references, are reflected to a higher degree in the compilation by Jon Jenkins and Maureen Jenkins (The Other World, in the Midst of Our World, 2001) describing 64 states of being experienced in ordinary life -- as excerpted below.
The approach taken was therefore to use portions of the previous exercise for the 64 traditionally recognized condition,s but to amend the text using two "devices":
The result is far from satisfactory since it leaves the reader with the (useful) challenge of associating meaning with "??¿??" -- otherwise typically over-defined. Ideally this might imply dimensions such as:
Of particular interest, given the contrast with "climate" as a more enduring characteristic, is the sense in which there are likely to be cultural preferences and biases with respect to interpretations and emphases. These can be explored in the light of the articulations proposed by various authors, as summarized separately (Systems of Categories Distinguishing Cultural Biases, 1993). Most notable are the mindscapes of Magoroh Maruyama (Mindscapes, social patterns and future development of scientific theory types. Cybernetica, 1980). Of further relevance, given the preoccupation here with ease and disease, is the commentary on Maruyama's work, and its development (Maurice Yolles and Gerhard Fink, Personality, Pathology and Sagiv-Schwartz Mindscapes, Social Science Research Network, 2012).
The wording in the interpretations remains unsatisfactory, and perhaps necessarily so, if the qualities of the "cognitive weather conditions" listed thereafter are somehow to be associated with the pattern.
Indicative list of first 4 adapted interpretations of conditions of I Ching sequence (for complete table see Annex 2) | ||
S/S | 1 | Creative (Ch'ien) [primal power]: As a result of ??¿??, can creative energy and inspiration engender new patterns?
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E/E | 2 | Earth (K'un) [receptivity / primal structuring]: Can ??¿?? respond to the actions and opportunities of its environment and thereby bring about change?
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A/T | 3 | Initial difficulty (Chun) [beginning growth / sprouting]: Can a cooperative response bring order out of chaos as a result of the profusion of changes being brought about by ??¿?? -- constituting confusing obstacles to its further development?
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M/A | 4 | Inexperience (Meng) [enveloping / clouded awareness / young shoot]: Aided by enthusiasm, can ??¿?? succeed despite inexperience, provided appropriate guidance is sought with the right attitude?
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Psychosocial dis-eases and the eases they imply: The concern here is to recognize in more appropriate language the nature of eases and diseases -- of which the latter are framed conventionally by the above-mentioned Diagnostic and Statistical Manual of Mental Disorders (DSM). This of course uses the conventions of a purportedly healthy, detached observer -- a "normal" person unchallenged by any such uneases. In that sense it is especially unhelpful to those who have to live in a world challenged by the pattern of dis-eases and eases -- as usefully highlighted by the game of snakes and ladders.
The previous section interpreted the language of the I Ching in the metaphorical terms of its traditional weather-related pattern. However, as noted, that language remains inadequate to the existential experience of someone somewhere "in the game". The concern here is whether other vocabulary can be used to approximate more closely to that experience. It is in this sense that the above-mentioned work of Jon Jenkins and Maureen Jenkins (The Other World, in the Midst of Our World, 2001) is especially relevant in describing 64 states of being experienced in ordinary life. This is effectively the result of a collaborative effort of hundreds of people associated with the Institute of Cultural Affairs (ICA) in the 1970s. It took an earlier form as The Other World: a spirit journal (1987).
Use of the phrase "other world" helpfully distinguishes the internal existential focus on personal "cognitive weather" from the detachment of the external perspective -- echoing the distinction made above between "climate regimes" as categorized globally and "weather" as experienced locally and personally. Stressing that the sense of an "other world" is not particularly religious, it is considered there as a poetic image pointing to the finally incomprehensible dimension of reality.
The authors indicate their sense of a "state of being" as an experience which is simultaneously an awareness, a feeling and a resolve. They offer a description of such a state in the words of Joseph Wesley Mathews (The Recovery of the Other World, from a speech given on 3 July 1972):
One day a man [sic] is driven by whatsoever vicissitudes of life into the consciousness that he himself must die. It is like being in a state of shock. A strange force intrudes. Suddenly he is submerged in awe; he feels it hovering all about him; he feels its penetration into the deepest corners of his innermost being. In quiet terror, and with an inexplicable fascination, he knows the fragility of his total existence; he feels his contingency, and beholds the passingness of all things. It is like a mortal wound from which he knows he will never recover. As the absurdity, the irrationality of it all seeps deep within, a burning objectless anger rises and rages until futility itself turns into a heavy numbness and everything becomes disoriented; all is nothingness; and there is no place any more to stand, just terrifying mystery. And hanging helplessly, swirling in emptiness, engulfed in awe, it dawns at long last, like the rising of a black sun, that exactly here is the final real before which he is fated and invited to live and die his life. This is the great encounter with the aweful mystery.
The question raised in what follows is the nature of any correspondence between the 64-fold pattern of the I Ching and the 64-fold pattern articulated in the particpative ICA context. This challenging correspondence is the third of the 5 correspondences tentatively correlated in this discussion. As with the I Ching, each of the numbered conditions is accompanied by extensive commentary. The states of being are clustered into groups of four, termed "treks". Four such treks form an area, of which there are four, making a total of 64 conditions. As with the I Ching, the pattern constitutes a map. There is no particular starting or ending point -- resembling snakes and ladders to a degree -- rather it frames a perpetual journey.
The move from awareness of surface appearance to profound consciousness of the self and of reality is never finally achieved. People always face new crises which challenge their assumptions, violate their expectations and demand their creativity, regardless of the perceptual level they have achieved.
A major contrast with the I Ching is that no effort is made to indicate pathways between conditions -- along which a journey could be recognized. This might be implicit to a degree in the clustering by "treks" -- possibly to be considered as circuits, with some suggestion of being patterned cognitive feedback loops or metabolic pathways.
Indicative presentation of first 16 of 64 states of being in terms of four of 13 defining categories (excerpted from The Other World: a spirit journal, 1987; for complete table see Annex 3) | |||||
Areas / Treks | Reflective (concept) | Affective (a sense of...) | Affective (like being...) | Analogy (it's like...) | |
1/1 | 1 | radical contingency | terrifying numbness | mortally stunned | hearing the worms cough |
2 | absurd existence | benign madness | critically disoriented | riding a tilt-a-whirl | |
3 | ultimate reality | intense shock | irrevocably outcast | wandering in a thick fog | |
4 | primordial wonder | total paralysis | helplessly suspended | hanging over molten lead | |
1/2 | 5 | incarnate living | double identity | fatally split | experiencing bi-location |
6 | ubiquitous otherness | constant pursuit | under surveillance | having nowhere else to run | |
7 | final limits | chronic weakness | perpetually conquered | racing in a field of tar | |
8 | total exposure | deep guilt | perpetually embarrassed | standing nude in Times Square | |
1/3 | 9 | vibrant powers | eerie strength | intensely enlivened | opening the floodgates |
10 | transformed existence | joyful anxiety | radically relocated | waking up on another planet | |
11 | second birth | trustful expectation | unconditionally recast | recovering from amnesia | |
12 | dynamic selfhood | forever surprised | ceaselessly evolving | watching a pinwheel explode | |
1/4 | 13 | essential dubiety | irrational self-doubt | shatteringly ridiculed | feeling you've really been had |
14 | cryptic disclosure | secret resentment | totally injured | being finally excommunicated | |
15 | transcendent immanence | insatiable yearning | chronically homesick | knowing you'll never go home | |
16 | singular adoration | burning desire | hopelessly enamored | being reluctantly love-sick |
The contrast between the two is intriguingly evident in the first being framed as conditions, implying the potential for change (hence The Book of Changes), with the second emphasizing "states of being" -- but as stages on a journey (possibly to nowhere). The I Ching could even be considered as a map of a complex network of cognitive snakes and ladders. The particular transitions between conditions in the numbered sequence forms a continuous circuit in that case (as indicated by the animation below).
Insights from comparable ordering initiatives: In the process of any effort to map either of the above patterns onto the other, of particular interest is what could be considered (by some) to be emphases (or dimensions) missing from both. In this respect a useful test would be provided by comparison with the insights formulated in the Brahmajala Sutta. This is considered to be one of the Buddha's most important and profound discourses, weaving a net of 62 cases capturing all the philosophical, speculative views on the self and the world (Bhikku Bodhi (Tr). The Discourse on the All-Embracing Net of Views; the Brahmajala Sutta and its commentarial exegesis, 1978). A summary is presented separately (Comprehensive set of ways of knowing: the All-Embracing Net of Buddhist culture, 2009).
Relevant insights might also be derived from use of the periodic table as a metaphor to order modes of human knowing, as discussed separately (Periodic Pattern of Human Knowing: implication of the Periodic Table as metaphor of elementary order, 2009; Periodic Pattern of Human Life: the Periodic Table as a metaphor of lifelong learning, 2009; Tuning a Periodic Table of Religions, Epistemologies and Spirituality -- including the sciences and other belief systems, 2007).
Given the poetic form through which the Chinese metaphorical description is traditionally expressed (notably for mnemonic purposes), could some form like haiku -- with its "cutting edge" emphasis -- be adapted to carry (in English) the poignancy of each condition (Ensuring Strategic Resilience through Haiku Patterns: reframing the scope of the "martial arts" in response to strategic threats, 2006). This would go further in framing the existential nuances of the respective conditions.
As a cognitive challenge, as mentioned with respect to learning the multiplication table, it is appropriate to note the skills required and widely developed in response to Rubik's Cube. This 3x3x3 cube can be explored as a metaphor for engaging with the relationships between the cognitive weather conditions variously represented in the above tables -- but presented in three dimensions (with surfaces to be appropriately marked or colour-coded, possibly according to the BaGua mirror pattern). There are different variants of Rubik's Cubes with up to seventeen layers: the 222 (Pocket/Mini Cube), the standard 333 cube, the 444 (Rubik's Revenge/Master Cube), and the 555 (Professor's Cube), the 666 (V-Cube 6), and 777 (V-Cube 7). Virtual variants also exist in 4D and 5D. Arguably these suggest possible designs of forms of "wellness/illness" cubes through which patterns of coherence can be explored.
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