Reimagining Principles Enabling an Existential Ecostery (Part #11)
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Problematic distinctions of quality have been fruitfully explored as engendering predictable conflict in scholarly debate. Using disagreement over literary definitions of "romantic" as an example, it has been shown that authors (in agreement or disagreement) could be distinguished along seven axes of methodological bias (W. T. Jones, The Romantic Syndrome: toward a new method in cultural anthropology and the history of ideas, 1961): The axes of bias distinguished, as engendering predictable debate, are preferences for:
Given the "catastrophic" nature of the dissonant academic "dialogue" resulting from such biases, there is a case for considering the potential relationship of the set to those of the seven elementary catastrophes distinguished from a topological perspective by René Thom (Structural Stability and Morphogenesis, 1972), especially given his application of this approach to semiotics (Semio Physics: A Sketch, 1990). This has been clarified by others (Jean Petitot, Logos et Théorie des Catastrophes: à partir de l'oeuvre de René Thom, 1996; David Aubin, Forms of Explanations in the Catastrophe Theory of René Thom: topology, morphogenesis, and structuralism, 2004).
Given the argument here relating to conflation of fundamental qualitative distinctions, whether as "biases" or "catastrophes", it is potentially useful to explore how these might be related to the set of seven WH-questions as associated with distinctive "cognitive catastrophes": who, why, where, what, which, when, how (Conformality of 7 WH-questions to 7 Elementary Catastrophes an exploration of potential psychosocial implications, 2006). Does existential crisis -- whether collective or individual -- need to be brought into focus by a "deadly question", as separately argued (In quest of the most deadly question, 2013).
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