Coming Out as a Radical -- or Coming In? (Part #13)
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Aspects of this focus are also explored speculatively in a complementary document (Radical Localization in a Global Systemic Context: distinguishing normality using playing card suits as a pattern language, 2015). The visual rendering of the movement in the concluding animation therein is reminiscent of what is learnt from the aerodynamics of the flight of birds, as explored separately in relation to extremes (Counteracting Extremes Enabling Normal Flying: insights for global governance from birds on the wing and the dodo, 2015). The spectrum through the normal, as echoed by the political right and left, is curiously reminiscent of the current strategic quest for full-spectrum dominance, as separately argued (Embodying Global Hegemony through a Sustaining Pattern of Discourse: cognitive challenge of dominion over all one surveys, 2015).
The latter help to reframe the radical cognitive challenge of "coming out" versus "coming in". This process is usefully understood with greater subtlety in the light of the consideration of the container metaphor explored from the perspective of cognitive psychology (George Lakoff and Mark Johnson, Metaphors We Live By, 1980; Nadzieja Monachowicz, The Functioning of the Container Conceptual Metaphor in Doris Lessing's "Children of Violence", Crossroads, 19 March 2014). It also lends itself to more radical exploration (World Introversion through Paracycling: global potential for living sustainably "outside-inside", 2013)
In contrast to the mainstream insider, of further significance to understanding the "outsideness" of radical thinking, is the appreciation associated with the archetypal outsider in the arts and philosophy -- of being at odds with normal society -- as reviewed by Colin Wilson (The Outsider, 1956). The theme is central to various novels and films and is a feature of outsider art and outsider music. Both are typically condemned by dictatorial regimes.
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